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Disguised as reporter Clark Kent, he adopts a mild-mannered disposition in Metropolis and develops a romance with Lois Lane, while battling the villainous Lex Luthor. STREET - METROPOLIS - NIGHTCLOSE ON a crumpled piece of rubbish lying in the gutter. CAMERA PULLS BACK: we SEE a street in a city neighborhood still fighting its way out of The Depression.
KIDS play stickball, PEOPLE stand about, out-of-work MEN recline on tenement stoops .
SPACECAMERA SPEEDS through the heavens past the moon, through the Universe, traveling on, gathering speed, further and further through the limitless void until it bursts through into another Galaxy.4EXT.
Mario Puzo Mario Gianluigi Puzo (October 15, 1920 – July 2, 1999) was an American author, screenwriter and journalist.
The fiery' red SUN now grows smaller as we fall through space and see beyond it - the planet Krypton.
As CAMERA CONTINUES toward Krypton, we see satellites, spacecraft, and Krypton's two distinct hemispheres.
Over this SUPERIMPOSE: METROPOLIS 1938CAMERA TRACKS UP past a boarded-up store window with a "For Rent" sign on it, PAST trash cans being investigated by foraging dogs, PAST the stoop of brownstone where some care has been taken to keep things clean, PAST the parlor floor where an undershirted MAN argues with a bathrobed WOMAN, PAST the second Floor windows where a YOUNG COUPLE bend over a crib, shaking a rattle and cooing at a new-born BABY wrapped in a pink blanket, UP PAST the roof of the brownstone, higher and higher, PAST the distant skyscrapers: the Chrysler Building, the Fuller building, the great- neon globe symbol atop the Daily Planet Building.2EXT.
SKY - NIGHT - ANGLE on DAILY PLANETCAMERA LOOKS DOWN on the Daily Planet Globe. CAMERA TILTS toward the star-filled sky and the full moon, then TAKES OFF.3EXT.
In this type of attack the attacker inject some client side script into Web pages of the application.